tag:blogger.com,1999:blog-24878131764044523392024-03-13T03:07:44.070-07:00ArtByLynchA visual arts portfolio for artist Meredith Frances Lynch.
Contact the artist at mflynch82@hotmail.comartbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comBlogger49125tag:blogger.com,1999:blog-2487813176404452339.post-46056894105254792972011-11-05T21:40:00.000-07:002011-11-05T21:41:57.048-07:00Artist BioMeredith Frances Lynch is a multi-disciplinary, Sydney based artist. She has a Master of Visual Arts from Sydney College of the Arts, the University of Sydney and also has studied at the Rhode Island School of Design. Recent solo projects include 'Shapes & patterns' a solo exhibition at Peloton Gallery Sydney, and 'Fence Lines Project' an environment art installation at Bundanon in regional New South Wales. The artist also holds the professional position of Artspace Gallery Assistant as well as Client Relations Manager at International Conservation Services.artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-10181007284433021422011-10-15T20:01:00.001-07:002011-11-05T21:40:37.189-07:00Upcoming Exhibition!A selection of new and retrospective works will be on exhibition at Westmead Hospital from 11 - 30 November 2011. Stop in any time to check it out.artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-68805977452884750702011-09-23T18:29:00.001-07:002011-11-05T21:47:25.687-07:00New writing...<span style="font-weight:bold;">The rigour of an artist; the modus operandi</span><br />Written by Meredith Frances Lynch, 2011<br />Illustrated artwork by Christine Simpson <br /><br />[IMAGE]<br /> <br /><br />This article is a general response to the artwork and art making of Christine Simpson. This written commentary comes after Simpson’s participation in the recent exhibition ‘Open Call’ at the University of Sydney Union’s Verge Gallery . <br /><br />‘Open Call’ was an exhibition of emerging artists, all enrolled in the different studios and at different levels of study at Sydney College of the Arts. ['Open Call’ (25 July – 19 August 2011) Featuring artworks by Isabella Andronos, Vilma Bader, Merryn Bowden, Lucas Davidson, Ellana Kariatlis, Alex H Mack, Jonny Niesche, Meghan Rheynolds, Christine Simpson, Brooke Wagstaff and Tianli Zu. Curated by SCA Union Alumni Meredith Frances Lynch, Nerida Olsen, & Mary Wenholz.] The artwork ‘Carbon Waves II’ by Simpson represented her ongoing creative explorations as an artist but was also an example of the capabilities of a student in the Sydney College of the Arts’ Master of Studio Arts program.<br /><br />In a recent discussion between the author and the artist Simpson has described deciding to become an art student again as a searching for new developments in her practice. In Simpson’s artist statement she talks of her ongoing investigations with the materiality of art making materials. She describes her recent creation as ‘An artwork that investigates the effects of heat on various materials... Experimenting with hot glass…’ Developing ones method of operating, that is the mode of art making, is an enjoyment of experimentation in the art practice. This is an ongoing concern for many artists. <br /><br />After many years of competent sculpture practice and amounts of commercial successes - including large scale commissions and a rigorous teaching schedule from the artist’s bush studio. The master sculpture has returned to the art school in search of increasing her intellectual rigour as an artist. Simpson is on a new journey, learning research methodologies and challenging her art practice through peer critiques as well as exploring new methods of art making. <br /><br />Simpson has described her former sculpting practice where her skilled hand and learnt knowledge of materials lead the direction of the art making and resulted in calculated aesthetic outcomes. In Simpson’s more recent use of the SCA glass studio she has enjoyed an amount of releasing control as materials and elements new to her drive the aesthetic results. Simpson has recently explored burning of the glass. Heat transforms materials in this new work and it directly affects the finished artworks’ composition. <br /><br />There is a new shift happening in her practise. Simpson talks about her increasing interest in the kinetic as well as memory scape of materials. This idea of memory is literal in the material sense but also symbolic in a greater definition of memory, personal and environmental. The artist often names artworks in ways relating to environmental happenings; employing words such as darling in reference to the river and carbon in reference to the hotly debated Australian carbon tax issues.<br /><br />Simpson talks of exploring new types of art making as being like a shedding. Her newer works are not as focused on pure artistic solution. The newer artworks allow for poignant tell-tale signs of the journey of the artist. Her new studio work, such as the exhibited ‘Carbon Waves II’, is about the reaction of the materials to the applied elements heat and cold. <br /><br />For exhibition the artwork was meticulously installed in the gallery with purpose built brackets. In line with the artist’s recent explorations, this clean installation was not understood as complete by the emerging artist. Herein she dusted ash and talc over the installed disk, letting the powder fall to the gallery floor. This was an attempt to extend the artwork into the gallery space. Aesthetically this move by the artist was not integral to the finished artwork on display. However, artistically, this was a move of importance for a developing art practice. In dusting over the otherwise finished artwork the artist publicly displayed her attempt to grow and in doing so she put on show her shifting modus operandi. This is in line with recent behaviour by the artist. It is a move Simpson has described as shifting her practice from considering oneself a sculptor. Her ongoing art practice and newly invested studies are steps in the direction toward becoming what she considers to be ‘an artist’. The dusting over the artwork in the gallery space was an expression of a wanting, or even a need, to shift and to make change. The artist was not fazed by the stillness of the floor dustings being interrupted by gallery visitors’ movements near the work. The artist took delight in this new phase of her art making. When the topic was recently discussed, the artist smiled and said ‘yes! to footprints’. There is an energetic presence about this artist’s intention. <br /><br />In the Verge gallery, near an otherwise still sculpture that had been neatly attached to the wall, footprints tarnished the dusting of powder and left a trace of viewer activity while the stillness of the artwork was also ever present. There was a feeling, a type of quiet energy that comes from this type of artistic exploration, it is a poetic element. In the application of well-honed sculpting skills in combination with the vitality of this emerging artist, the artworks yet to come from Christine Simpson are well worth keeping an eye out for.artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-4132597098617684342011-07-09T18:02:00.000-07:002011-07-23T19:57:29.109-07:00'Open Call' An exhibition at Verge GalleryWe put out an open call. And this is what we got. Sydney College of the Arts students making art in all different ways and forms.<br /><br />As graduates of SCA and past members of the SCA Student Association, each member of the curating team have made art and also seen what student organisations offer in terms of support and just as importantly, opportunities.<br /><br />Making art is not enough, it also needs somewhere to be shown. Verge Gallery, through the support of USU, SCASS and SCA also believe this and the show has been made possible thanks to their support.<br /><br />Featuring works by Isabella Andronos, Vilma Bader, Merryn Bowden, Lucas Davidson, Ellana Kariatlis, Alex H Mack, Jonny Niesche, Meghan Rheynolds, Christine Simpson, Brooke Wagstaff and Tianli Zu.<br /><br />Curated by SCA Union Alumni, Meredith Frances Lynch, Nerida Olson and Mary Wenholz and supported by SCASS President, Georgia Banks.<br /><br />Exhibition on display from Monday 25 July to Friday 19 August.artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-62895386673242725542011-06-04T19:08:00.000-07:002011-06-04T19:10:30.144-07:00Upcoming curatorial project at Verge GalleryMeredith Frances Lynch, Mary Wenholz, & Nerida Olsen will be curating an exhibition of young artists new work at The University of Sydney Union's Art Gallery - Verge Gallery. The exhibition will be on view in July 2011artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-30588255650542381202011-01-29T16:45:00.001-08:002011-06-04T23:48:28.171-07:00Summer Artist in Residence Concludes...<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzajapwJCpF9sS0_p3D0ER9Rg5c5SgnBh76ZKMSCt4MY8xcFlFwrS-xSJhXT7Zi2FHJElF0LN3tq7Ynwvl8ATTqNZYYMBrMLDPY_t5iRVk85BJSHovCDfBGoh0ow8dlVzUYgSM8p-PABul/s1600/LYNCH-148.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 188px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzajapwJCpF9sS0_p3D0ER9Rg5c5SgnBh76ZKMSCt4MY8xcFlFwrS-xSJhXT7Zi2FHJElF0LN3tq7Ynwvl8ATTqNZYYMBrMLDPY_t5iRVk85BJSHovCDfBGoh0ow8dlVzUYgSM8p-PABul/s400/LYNCH-148.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5614623519904016482" /></a><br /><br />Images from artworks underway in the Artspace studio...<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4e7tpAAoo_o2zSNIm7YYbxF3wzRhLG4FwVUAEmeZXiehyq3DDvQnrUpc2IkzLqiAybTFZY5fSCgCQ6_awpuFKzY01U8kJaZFwjd6b5bH2_39AmqWunnybxqixCsYxel_8TRMtvOjyuCrg/s1600/LYNCH-121.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 77px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4e7tpAAoo_o2zSNIm7YYbxF3wzRhLG4FwVUAEmeZXiehyq3DDvQnrUpc2IkzLqiAybTFZY5fSCgCQ6_awpuFKzY01U8kJaZFwjd6b5bH2_39AmqWunnybxqixCsYxel_8TRMtvOjyuCrg/s320/LYNCH-121.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5614620697726241314" /></a><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEFp-bAouaO1XVXSzE3CEnsteUaB6OGQPKxK7OL7G4BcWgHcOYYtIWuEsIj0qk-LAG0oc-AYQIx9rxh7vw84DWODE_PLCMrlFDJJ3LNFqsrsfRYIcCejGQ23xQeJnGfUGLhx0dZKXz6eaN/s1600/LYNCH-092-10MG.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 262px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEFp-bAouaO1XVXSzE3CEnsteUaB6OGQPKxK7OL7G4BcWgHcOYYtIWuEsIj0qk-LAG0oc-AYQIx9rxh7vw84DWODE_PLCMrlFDJJ3LNFqsrsfRYIcCejGQ23xQeJnGfUGLhx0dZKXz6eaN/s320/LYNCH-092-10MG.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5614621413912908194" /></a><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh89wjCkc-rHI3k_eJZK6y3Vqp8o43Lko-KJc3VvxmeVVWW9HzAoPz1W8pQ79LPj1mRAs319Se2WPF0cGqb3I6C6n2gSpgkS0CcHL5OGBQf7NEBatH4WxCF-clPa4Alf5vAXq3dThB3FTKr/s1600/LYNCH-163.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh89wjCkc-rHI3k_eJZK6y3Vqp8o43Lko-KJc3VvxmeVVWW9HzAoPz1W8pQ79LPj1mRAs319Se2WPF0cGqb3I6C6n2gSpgkS0CcHL5OGBQf7NEBatH4WxCF-clPa4Alf5vAXq3dThB3FTKr/s400/LYNCH-163.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5614622504425028658" /></a>artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-79429774689441646302010-12-18T20:47:00.001-08:002011-01-06T16:48:04.820-08:00My current work at SNO<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdpbU3fe-FMCk4DYjqCdXWPlpxVo8GhqUf-jnyEbvK3OzqJx14y8ZASQjd_d5ajv69hbVa6TmxKZi4EGX2VIDOAtCg3chhlF1LUeLSpwGfq8ZSfuL4p0fZp44SQwdHbdAApoSWqV-2cBIn/s1600/Dec2010-018-edit-sml.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 284px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdpbU3fe-FMCk4DYjqCdXWPlpxVo8GhqUf-jnyEbvK3OzqJx14y8ZASQjd_d5ajv69hbVa6TmxKZi4EGX2VIDOAtCg3chhlF1LUeLSpwGfq8ZSfuL4p0fZp44SQwdHbdAApoSWqV-2cBIn/s400/Dec2010-018-edit-sml.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5559239053962339682" /></a><br /><br />On view December 2010 - January 2011artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-80463608562230106232010-12-04T18:53:00.000-08:002010-12-18T20:46:51.794-08:00December at SNO gallery Sydney<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQJlZgFAQ6MXL9BZpl2ExhXj6FWlDPKCSpkNsPrvb9So9nGMmnLHztHM_ZoVqjh0jRM9UjT1kw2aIwDLjoAXBCXPm3ZBGMZ63Ce6M1yQvoe_BmmCa5bKKPC-4FaoDqCZdGf8TAXSYwGpmE/s1600/GetInline.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 309px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQJlZgFAQ6MXL9BZpl2ExhXj6FWlDPKCSpkNsPrvb9So9nGMmnLHztHM_ZoVqjh0jRM9UjT1kw2aIwDLjoAXBCXPm3ZBGMZ63Ce6M1yQvoe_BmmCa5bKKPC-4FaoDqCZdGf8TAXSYwGpmE/s400/GetInline.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5547026400995580242" /></a><br />Please join us for the opening of the next exhibition at SNO.<br />It's a group show that I am in, it'd be great to see you there.<br /><br />Opens Saturday 11 Dec at <br />3pm at SNO, LEVEL 1, <br />175 MARRICKVILLE RD, MARRICKVILLE, SYDNEY<br />T. +61 (2) 9560 3470 <br />E. info@sno.org.au <br />W. www.sno.org.au<br />Open 12:00 – 5:00 pm. Friday to Sunday,<br />or by appointment.artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-56391848772695870762010-11-27T16:21:00.000-08:002010-11-27T16:24:40.076-08:00Artist BioMeredith Frances Lynch is a multi-disciplinary, Sydney based artist. She has a Master of Visual Arts from Sydney College of the Arts, the University of Sydney and also has studied at the Rhode Island School of Design. Recent solo projects include 'Shapes & patterns' a solo exhibition at Peloton Gallery Sydney, and 'Fence Lines Project' an environment art installation at Bundanon in regional New South Wales.artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-2145027768257335522010-10-16T22:06:00.000-07:002010-10-16T22:09:42.328-07:00Artspace Studio ResidencyLynch will be an Artist In Residence at Artspace, Sydney, during the 2010- 2011 Summer building a new body of artwork for future exhibitions.artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-35769197786196106522010-08-10T01:16:00.001-07:002010-08-10T01:18:07.164-07:00Almost Grey Series<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlOiKQmwvmrEmfdXbVkwyHu43Jj91_AmRoSkSaqCyPO4f9u-lVJF4rjwgjHfOBnxhZgzsX9DXv7HJgKWc_HY747g_zyavfAKEiHEWb-DDEWa-R9WM_i-eKmj5h_rEA2Dt5Mu3WWgnMy7bh/s1600/M-Lynch-0012.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlOiKQmwvmrEmfdXbVkwyHu43Jj91_AmRoSkSaqCyPO4f9u-lVJF4rjwgjHfOBnxhZgzsX9DXv7HJgKWc_HY747g_zyavfAKEiHEWb-DDEWa-R9WM_i-eKmj5h_rEA2Dt5Mu3WWgnMy7bh/s400/M-Lynch-0012.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5503692475785319538" /></a>artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-9801689330548447232010-06-20T01:17:00.001-07:002010-06-21T15:43:30.513-07:00Artist StatementMeredith Frances Lynch creates marks from repetitive patterns creating works that become a diary of gesture. A diary that marks time that is silent while recording honestly the process and the accident through process. Therefore these artworks return making to the centre of activity; repetitive gestures make the physical activity of the process visible. Through the use of repetitive gesture the painting become signifiers of the everyday mundane routine, which emphasizes the lack of uniqueness and individuality. This is referenced and then subverted as the pattern is never quiet complete never quite resolved. Lynch therefore embraces the random, the accidental, and leaves a space to question within any given structure.artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-61837052345314505502010-06-20T01:14:00.000-07:002010-08-10T01:09:18.912-07:00Peloton Gallery Images<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrbVGpdqNAyZKtHyRm4AzSCirz1kBpT_oVAV84rdp5jS4tdtaLux3My7I6rDVrMpzG_t5tdW6wjqbearuC2S-PdfYnZeBbTSmsBQ0YRddcL7mNZXJLc4zloghN0lVGb1KK-uHtPGFJLwGx/s1600/M-Lynch-002.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrbVGpdqNAyZKtHyRm4AzSCirz1kBpT_oVAV84rdp5jS4tdtaLux3My7I6rDVrMpzG_t5tdW6wjqbearuC2S-PdfYnZeBbTSmsBQ0YRddcL7mNZXJLc4zloghN0lVGb1KK-uHtPGFJLwGx/s400/M-Lynch-002.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5503689797534029074" /></a><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuuib04KmKmwmRrwqn5MvDxzeZS9PS-pWz5x06_WSWPrFLyKioghRhZw-GqoJl2_v75Uiwn_o5szioqmApivW0V0lPJAzz_PIfLf7T4dhsKf5QBW7QtXndJEnK2Xak5OG3FGg-u-x74Qa3/s1600/M-Lynch-003.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px; height: 185px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuuib04KmKmwmRrwqn5MvDxzeZS9PS-pWz5x06_WSWPrFLyKioghRhZw-GqoJl2_v75Uiwn_o5szioqmApivW0V0lPJAzz_PIfLf7T4dhsKf5QBW7QtXndJEnK2Xak5OG3FGg-u-x74Qa3/s400/M-Lynch-003.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5503689328898520658" /></a>artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-47035954258072919432010-02-18T20:58:00.000-08:002010-08-10T01:10:23.307-07:00Exhibition Images - 'Blue Mandala Series'<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyyam6jwoWo1SfnKGn582jfvkE4Gl93NEJyotzceKRRUZl8Kg5zJjJ3DhWpi28YOAehN-lXK1JmjVPZE7BDd08i2Jrsv6Kb4TxCJTd5qBP2p6RmXvBXFlflywDAn_Lb-PFInhp_CTwqCRR/s1600/M-Lynch-004.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyyam6jwoWo1SfnKGn582jfvkE4Gl93NEJyotzceKRRUZl8Kg5zJjJ3DhWpi28YOAehN-lXK1JmjVPZE7BDd08i2Jrsv6Kb4TxCJTd5qBP2p6RmXvBXFlflywDAn_Lb-PFInhp_CTwqCRR/s400/M-Lynch-004.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5503688530853590034" /></a><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJarNapNe0fUFqXLGfjoGUPwrPQFPXulk-fbkmmF5FWWChUSks8NP8QLas-gQ7oj9cN_LpuN0olG-PMrdZ4LqQUcavjRR_PPNC5O9OTjVB5gzYgP9bbobyKlDU5Db-EbjoNBt5xchWtkzW/s1600/M-Lynch-005.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 396px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJarNapNe0fUFqXLGfjoGUPwrPQFPXulk-fbkmmF5FWWChUSks8NP8QLas-gQ7oj9cN_LpuN0olG-PMrdZ4LqQUcavjRR_PPNC5O9OTjVB5gzYgP9bbobyKlDU5Db-EbjoNBt5xchWtkzW/s400/M-Lynch-005.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5503688037838035074" /></a><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEln5hQD9CKVDosSeQSgllJpbzRLTgCwiLTbS_1487ghe4VZz8MWJf9xw-CNWn3UQQhOCPNppEroGyrMMnhX6bS_IFd2tbwa8QLFYy6PcYr8yynHyEjrRGX4SQ2IsSm_H2xX7xmk-5g8Le/s1600/M-Lynch-006.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px; height: 398px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEln5hQD9CKVDosSeQSgllJpbzRLTgCwiLTbS_1487ghe4VZz8MWJf9xw-CNWn3UQQhOCPNppEroGyrMMnhX6bS_IFd2tbwa8QLFYy6PcYr8yynHyEjrRGX4SQ2IsSm_H2xX7xmk-5g8Le/s400/M-Lynch-006.JPG" border="0" <br />alt=""id="BLOGGER_PHOTO_ID_5503687286355298882" /></a><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDO1AwIsV_7dKFZPxjOeGjSlLw7CwqGjlWNFyrczWDbA0wymAbAnL_kgzpoOgTK25tdTjzqWP6C4AmotzQQvixjGzEIpKOfACIjPuleMHqtYKGPKNziwMHak3mB50RviGvlF02FfyrQMvx/s1600/M-Lynch-007.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 265px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDO1AwIsV_7dKFZPxjOeGjSlLw7CwqGjlWNFyrczWDbA0wymAbAnL_kgzpoOgTK25tdTjzqWP6C4AmotzQQvixjGzEIpKOfACIjPuleMHqtYKGPKNziwMHak3mB50RviGvlF02FfyrQMvx/s400/M-Lynch-007.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5503686974036947698" /></a>artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-36521447469192129472010-01-17T17:42:00.000-08:002010-01-17T18:03:37.857-08:00Bundanon : Stage Two. January 2010<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtbl9JQ8oky35pNf_51c5LPwHZWGeB1J7StwO-1lDnWD4VOSdBEW43OcmpjD8gToUhOab0LAz03KotZwvksHmEha2LeDTsVLpw5UDvCxFIAWILN7SqKNmClB5C0PqF3y9snRxM26fx1vxB/s1600-h/IMGP1581-2.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 266px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtbl9JQ8oky35pNf_51c5LPwHZWGeB1J7StwO-1lDnWD4VOSdBEW43OcmpjD8gToUhOab0LAz03KotZwvksHmEha2LeDTsVLpw5UDvCxFIAWILN7SqKNmClB5C0PqF3y9snRxM26fx1vxB/s400/IMGP1581-2.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5427892023711331506" /></a><br />The Fence Lines Project is a temporal environment installation that consists of mirror pieces cut to the specific dimension of the top surfaces of fence posts on the Bundanon property. Bundanon boasts an enormous property with vast rolling landscapes and magnificent open sky lines. The environment installation aims to merge the naturally occurring green landscape with the blue sky-scape. An introduction of mirrors along fence lines at Bundanon will lower the sky into the green landscape, allowing for a poetics in a contemporary creation of environment installation art.<br /><br />The second in a series of temporal environment installations by Lynch on the Bundanon property has been scheduled for Sat 23 & Sun 24 January 2010.<br /><br />Photo Paul Sharpartbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-82331740094995702002009-11-08T04:44:00.001-08:002010-01-17T17:42:18.224-08:00Recent Exhibition at Peloton, December 2009<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI3ySfO06BzmX9xUCEZM7CCeprXZdJusJL0KeJRBnAVh76zJAKmBSlyIEaxkKXrZnMzGMErhjZurLDEIWb-UrgEoiCjmJ66NNQUpdl1kT5gQ7hSINbvHiPrXhfI0eYTDGCkWN5ZgRx0mdF/s1600/PB020398.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 150px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI3ySfO06BzmX9xUCEZM7CCeprXZdJusJL0KeJRBnAVh76zJAKmBSlyIEaxkKXrZnMzGMErhjZurLDEIWb-UrgEoiCjmJ66NNQUpdl1kT5gQ7hSINbvHiPrXhfI0eYTDGCkWN5ZgRx0mdF/s200/PB020398.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5405198599654970082" /></a><br /><br />My recent show 'shapes and patterns' opened at Peloton gallery, Thursday 3 Dec, 2009<br /><br />The show continued until 19 December 2009 at Peloton, 19 + 25 Meagher Street, Chippendale, Sydney. Gallery hours Thurs-Sat 1-6pm. For further information please email mflynch82@hotmail.com or info@peloton.net.auartbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-74209032964772608222009-10-06T22:11:00.002-07:002009-10-09T01:40:20.291-07:00Environment Installation<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjj2kWJgjuyh7Z05rG69mdHwBRYJmLy47RhCCVzJ8YJ1XqdmGIYbwMpgBwA020J5uYiMfuBzE15V3oxncQzForVDnMXSRndCn1FoAyaiYxSLQ3ukl5iWiQ5Sgb86F5GQoMUb2bOxQiefaVj/s1600-h/LYNCH_NewWorks09_BundFence_008.JPG"><img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 240px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjj2kWJgjuyh7Z05rG69mdHwBRYJmLy47RhCCVzJ8YJ1XqdmGIYbwMpgBwA020J5uYiMfuBzE15V3oxncQzForVDnMXSRndCn1FoAyaiYxSLQ3ukl5iWiQ5Sgb86F5GQoMUb2bOxQiefaVj/s320/LYNCH_NewWorks09_BundFence_008.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5390516486010326610" /></a><br />The project’s proposal plans that a temporal environment installation will consist of mirror pieces cut to the specific dimension of the top surfaces of fence posts on the Bundanon property. Bundanon boasts an enormous property with vast rolling landscapes and magnificent open sky lines. The environment installation aims to merge the naturally occurring green landscape with the blue sky-scape. An introduction of mirrors along fence lines at Bundanon will lower the sky into the green landscape, allowing for a poetics in a contemporary creation of environment installation art.<br /><br />The first in a series of temporal environment installations on the Bundanon property has been scheduled for Sunday October 17th. More dates to be confirmed.artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-33373062594840646942009-10-06T22:11:00.001-07:002010-01-27T16:34:22.345-08:002009 Finalist RBS Emerging Artist Award<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCLKKNHohYTZfU0fxRs-450qpnGiLmjAEnuvGyh0DYh3-ynKPw6tb7vtpB2WVvwXWtwREwGp8D0gQ135Kzpf4KpIwZEiJzDBMwk1g2pYPDgBzP30sChJWH7YDTitTqBfrqfzTg-jApqeHP/s1600-h/RBSdoc074editSML.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 216px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCLKKNHohYTZfU0fxRs-450qpnGiLmjAEnuvGyh0DYh3-ynKPw6tb7vtpB2WVvwXWtwREwGp8D0gQ135Kzpf4KpIwZEiJzDBMwk1g2pYPDgBzP30sChJWH7YDTitTqBfrqfzTg-jApqeHP/s320/RBSdoc074editSML.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5431582483096119426" /></a><br />The RBS Emerging Artist award is a newly branded award formerly known as the ABN AMRO Award. Lynch's work has been selected as a finalist and the work is on view now at the RBS Tower, 88 Philip Street, Sydney.artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-10760052707553424152009-09-07T15:44:00.001-07:002009-09-07T15:44:41.074-07:00Artist statement – September 2009The visual arts practice of Meredith Frances Lynch is a fusion-pursuit of painterly and multi-disciplinary art practice. An investigation into the shared territory between painting and other art forms, such as artist books, installation art, meditative practice, performance art, political art, and so forth is underway in the studio practice. This is an investigation into an expanded understanding of contemporary painting as one engages elements to do with painting. Meaning, the historic placement and definition of painting; the associated material matter; the work of artists considering themselves to be painters; and any other singled-out elements that might combine to shape the practice of painting - historically as well as contemporarily.<br /><br />The studio practice is an exploration into the contemporary expanded field of painting. I create works that employ repetitive action, and in turn I engage a meditative process in the making of artworks. These paintings trace the time and act of creating the artworks and, consequentially, the artwork becomes an abstract form of diary of the creative experience completed by artist for the viewer to further contemplate.artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-27900959862212837132009-07-30T16:55:00.000-07:002009-07-30T17:39:17.422-07:00RBS Emerging Artist Award, 2009<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuDixFd9mHkpEbBHOfcUjucDyAbczk9tLhPYjS7jzHVIzjo3F1IvPdqEP_LtLjAtfw79GnspmFQ6tDmn6tl3BG_52-pXiyCvFfwGmQduaJEmCnJeuE20LabR_OPSh6XJ8fQmqGf3smcPw8/s1600-h/Lynch-ii-617.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 266px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuDixFd9mHkpEbBHOfcUjucDyAbczk9tLhPYjS7jzHVIzjo3F1IvPdqEP_LtLjAtfw79GnspmFQ6tDmn6tl3BG_52-pXiyCvFfwGmQduaJEmCnJeuE20LabR_OPSh6XJ8fQmqGf3smcPw8/s400/Lynch-ii-617.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5364406515865314978" /></a><br />This image depicts a study for 'Untitled Quiet' created in preparation for the RBS Emerging Artist Award - Shortlisted Artists Exhibition. The RBS Emerging Artist award is a newly branded award formerly known as the ABN AMRO Award. The above illustrated work will be on view Mon 7th - Fri 18th September 2009, at the RBS Tower, 88 Philip Street, Sydney. <br /><br />Artwork by Meredith Frances Lynch<br />Photograph by Therese de Villier d'Hotmanartbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-83559605925819342102009-03-09T17:47:00.000-07:002009-06-14T17:01:19.714-07:00New Landscapes Exhibition, Sydney, 2009<strong>New Landscapes</strong> at Horus & Deloris Contemporary Art, Pyrmont, Sydney<br /><br />An exhibition of new work by Jasmine Avril, Meredith Frances Lynch, Kylie McKendry, Bridget Minatel, Kevin Platt, & Mary Wenholz. Curated Meredith Frances Lynch<br /><br />Exhibition Dates: 11th March – 1st April, 2009<br /> <br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE-RMDq4sAfl8zBqy6WnVXJzdHtbplZBa9Hi70pWp3I3h5Z6dxCf1zQpCm1UEp8fzJ09lUR90urfEbJfwoHTaYlM33SAyxqKJ3PHZXg0YWQ7eleptFrULSUr2iroRLOYn_gO9iMHYncfK1/s1600-h/Horus_C.JPG"><img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 142px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE-RMDq4sAfl8zBqy6WnVXJzdHtbplZBa9Hi70pWp3I3h5Z6dxCf1zQpCm1UEp8fzJ09lUR90urfEbJfwoHTaYlM33SAyxqKJ3PHZXg0YWQ7eleptFrULSUr2iroRLOYn_gO9iMHYncfK1/s200/Horus_C.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5311356357151074050" /></a><br /><br />Untitled (Moving Skies), 2008, by Meredith Frances Lynch, Acrylic on glass, 13 x 18 <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmsPvg339KxRYDZVHeI8vtvvT7N7pHe8hFkAtMJ3pdwxeDTj79MeioZiOq0r41eMQb61Qlw2hphH04PhMAh6_V3VKgv3zorMtUtVy-Fo_yvw-Vsc3dxRnd2Ku5NMBDzA2rcc0O_7uFqgGC/s1600-h/DSC_3785_V2.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 132px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmsPvg339KxRYDZVHeI8vtvvT7N7pHe8hFkAtMJ3pdwxeDTj79MeioZiOq0r41eMQb61Qlw2hphH04PhMAh6_V3VKgv3zorMtUtVy-Fo_yvw-Vsc3dxRnd2Ku5NMBDzA2rcc0O_7uFqgGC/s200/DSC_3785_V2.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5311356665912341058" /></a><br /><br />Nostalgia for the never known, 2008, by Kevin Platt, Hoop pine, kavir pine, plywood, TV, DVD, slides & projectorartbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-10542451215294975842009-02-22T19:46:00.000-08:002009-06-14T17:02:30.316-07:00New Landscapes - Exhibition Blurb<strong>New Landscapes: Landscape as a vehicle.</strong><br /><br />‘New Landscapes’ presents worldly engagements and the quietude of paying attention. It presents a collection of artworks resultant of reflection upon and engagement with the world. This exhibition is to do with conceptual output as much as aesthetic practices. Illustrations of trees uninterrupted in bush scenes is not what can be found in ‘New Landscape’, these are not the visual traps of these artists’ work. The practices of Jasmine Avril, Meredith Frances Lynch, Kylie McKendry, Bridget Minatel, Kevin Platt, & Mary Wenholz deal with landscape from a myriad of perspectives; spatially, politically, experientially, as well as yes: visually. It is visual arts after all.<br /><br />The artworks in this exhibition present numerous responses to the idea of an expanded form of landscape in the sense of conceptual artistic activity that sees artworks created that respond or relate to the world (or an aspect of world, space, people, knowledge, history, etc.). This is intentionally an open ended exhibition theme to allow for honesty within every artists’ work and concepts. ‘These works explore different ways of imagining landscape. They suggest ideas about our relationship to land, whether in terms of categorisation, ownership or belonging.’ (Avril) Conceptual output as a purist non-visual activity within the visual arts has evolved over the years. Melded activity is vigorous in artists’ practices today. This is the case now, in the works shown in this gallery by Avril, Lynch, McKendry, Minatel, Platt, & Wenholz as much as it this true for many works to do with landscape created by many, many, emerging artists today. The notion of landscape in this exhibition is a vehicle, it is a means of expression, a conceptual medium, and a means of transporting ideas. <br /> <br />- Meredith Frances Lynch. Sydney, 2009.artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-60754773063708425002009-01-14T14:54:00.002-08:002009-05-13T00:34:33.653-07:00Action v Action at Gallery 4A, 2009Action v Action - A Ten Day Painting Project at Sydney's Gallery 4A <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCftzrck-6vwbRbKKuhbLswegLvBuCsPModa4Rp8rQzIPXPUQAlzvOrYU8sFqsTMr5BAiNQE6rLOj8sCjOW_gIHtqvXD78ePFSOL-P9dLc3VtCueoQkvm5U8sjS2Qnf-aXOhgT8Dwyr2y3/s1600-h/001.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 150px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCftzrck-6vwbRbKKuhbLswegLvBuCsPModa4Rp8rQzIPXPUQAlzvOrYU8sFqsTMr5BAiNQE6rLOj8sCjOW_gIHtqvXD78ePFSOL-P9dLc3VtCueoQkvm5U8sjS2Qnf-aXOhgT8Dwyr2y3/s200/001.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5298444856202354690" /></a><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJjsMB3NnVCltVyrxxubGdSli4iy_G3da-cBl_8Ehw0cdgd85rSn5qtTeXMjBrOptLrZq_ZQ3RnjRdMsbQKEPHbXQFMWcIVeYlPhsF9kGFDkVRK29yqyYKdgIpgIJ7O-40YHeaRFlodXR1/s1600-h/002.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 150px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJjsMB3NnVCltVyrxxubGdSli4iy_G3da-cBl_8Ehw0cdgd85rSn5qtTeXMjBrOptLrZq_ZQ3RnjRdMsbQKEPHbXQFMWcIVeYlPhsF9kGFDkVRK29yqyYKdgIpgIJ7O-40YHeaRFlodXR1/s200/002.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5298446000385790002" /></a><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJxZ026t_zWIErzgbTTSBJyqc-qdRCmLISmaqyKe56cCVKbnzlbBy4Q8IFAAZplzxVh9LR5gIhIcBCgWGwqLzt5-iewK18bf9PWV5Vq10xKzPW1zNs0cGCVjqj4Aj3vehjerUaTgj2FtUX/s1600-h/003.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 150px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJxZ026t_zWIErzgbTTSBJyqc-qdRCmLISmaqyKe56cCVKbnzlbBy4Q8IFAAZplzxVh9LR5gIhIcBCgWGwqLzt5-iewK18bf9PWV5Vq10xKzPW1zNs0cGCVjqj4Aj3vehjerUaTgj2FtUX/s200/003.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5298446162292813346" /></a><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSS3lTQ5rwYqOGkgr3ApMWzg71OnU8BGQPMpIMQB9UMZYXMsO24bC6KXRnA3-aVZf0cTLmmokebdW3QW_s1jbs-ZRV9OKpMK-xnX92V80xAqBba2KIzmmES9ZSqXb-Ed-ZaPaMEUFmVx03/s1600-h/004.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 200px; height: 150px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSS3lTQ5rwYqOGkgr3ApMWzg71OnU8BGQPMpIMQB9UMZYXMsO24bC6KXRnA3-aVZf0cTLmmokebdW3QW_s1jbs-ZRV9OKpMK-xnX92V80xAqBba2KIzmmES9ZSqXb-Ed-ZaPaMEUFmVx03/s200/004.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5298446483895845170" /></a>artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-82937197449647015162009-01-14T14:54:00.001-08:002009-07-30T17:11:11.984-07:00Bundanon Artist in Residence<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmn1HRb0ccE1LvyCU8Rt_Cs3J_5KbWKKPrRmQUAFePdNzDDU7qt_knifqnAjah4TfrRWd27A_-hCNn-6pyMYAHpZ3fW4Wuqr0UaflnDR7E_cFfTfRaN7vgnLGox6NNa72TGXxntYRG2-XM/s1600-h/Horus_A.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 284px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmn1HRb0ccE1LvyCU8Rt_Cs3J_5KbWKKPrRmQUAFePdNzDDU7qt_knifqnAjah4TfrRWd27A_-hCNn-6pyMYAHpZ3fW4Wuqr0UaflnDR7E_cFfTfRaN7vgnLGox6NNa72TGXxntYRG2-XM/s400/Horus_A.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5364408903408851090" /></a><br />Above - Detail of one work completed at Bundanon: 'Untitled (Bundanon Landscape)' 2008. Lower image - Working in the Freedman studio at Bundanon, October 2008<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ3gmZh4S9htrIf3FcCe9yvULv2wx8wkb8X6TfRQWWRUh7b8UTRq05sGcY-MVcl2QrNtrq7a9kTHa1V6ATG9y-AFr9u2QFjtWH027jyfdpjnIbuwrKaj1W9jbZDD9Ev03O9Q7UqrTwxpt7/s1600-h/002.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 200px; height: 150px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ3gmZh4S9htrIf3FcCe9yvULv2wx8wkb8X6TfRQWWRUh7b8UTRq05sGcY-MVcl2QrNtrq7a9kTHa1V6ATG9y-AFr9u2QFjtWH027jyfdpjnIbuwrKaj1W9jbZDD9Ev03O9Q7UqrTwxpt7/s200/002.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5298450786836768418" /></a>artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.comtag:blogger.com,1999:blog-2487813176404452339.post-55101507010678653102008-10-19T03:40:00.003-07:002008-10-19T04:10:11.767-07:00Painting then painting (repeat)<A href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOPHJ81X2Vc1EoR999Dlia1YsWivV3Tr8vu7fnTdqf1wpSNHmvtJII6Sy716HaHDU2ic2vQTnQSRHt6eskGFaDmL-PpKb3ksuMCZkj0h3iKj17YOt1U8gq8t3CB3FmAvXmGoHibSE_gi_h/s1600-h/Fauvette08Docu+001.jpg"><IMG id=BLOGGER_PHOTO_ID_5258816215464542050 style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOPHJ81X2Vc1EoR999Dlia1YsWivV3Tr8vu7fnTdqf1wpSNHmvtJII6Sy716HaHDU2ic2vQTnQSRHt6eskGFaDmL-PpKb3ksuMCZkj0h3iKj17YOt1U8gq8t3CB3FmAvXmGoHibSE_gi_h/s400/Fauvette08Docu+001.jpg" border=0></A> <A href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhip1OhSr5rBYaW1IRSbKnZMKjEZdCjYhk5fCbaTuvmxQvB-oOC88zJicO90aNN_K2131M5yAysZ61iHSgWNVLIOa-NQKTnCOjfQbyVSqTzpyywiBSOlpqGlAnhXGD7FRpa04eaH0pQJodm/s1600-h/Fauv&Mori+docu+059.jpg"><IMG id=BLOGGER_PHOTO_ID_5258816215592390722 style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhip1OhSr5rBYaW1IRSbKnZMKjEZdCjYhk5fCbaTuvmxQvB-oOC88zJicO90aNN_K2131M5yAysZ61iHSgWNVLIOa-NQKTnCOjfQbyVSqTzpyywiBSOlpqGlAnhXGD7FRpa04eaH0pQJodm/s400/Fauv&Mori+docu+059.jpg" border=0></A> <br /><br /><STRONG><EM>Painting then painting (repeat)</EM></STRONG>, by <STRONG>M</STRONG><STRONG>eredith Frances Lynch</STRONG> <br />2008 installation, mixed media <br /><EM>Fauvette Loureiro Memorial Artists Travel Scholarship Finalists Exhibition </EM>2008, SCA Gallery - on show until 8th November 2008<br /><br /><OBJECT class=BLOG_video_class id=BLOG_video-236ec1df05cccef6 height=266 width=320 contentId="236ec1df05cccef6"></OBJECT>artbylynchhttp://www.blogger.com/profile/09890133461928898473noreply@blogger.com